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Terry Adkins: The Smooth, The Cut, and The Assembled
$40.00
Terry Adkins: The Smooth, The Cut, and The Assembled
$40.00
This catalogue accompanies Lévy Gorvy’s first solo exhibition of works by Terry Adkins, on view from January 10 to February 17. This fully illustrated book explores the materiality of Terry Adkins’s sculptures. The exhibition was curated by Charles Gaines, a celebrated artist and longtime friend and collaborator of Adkins’s, who contributed an illuminating essay to this publication that explores the physicality and experience of viewing Adkins’s sculptures. The catalogue also includes an essay by Michael Brenson, and newly commissioned poetry by Robin Coste Lewis.
Publisher: Lévy Gorvy
Texts: Charles Gaines and Michael Brenson; poetry by Robin Coste Lewis
Publication Date: 2018
Binding: Hardcover
Dimensions: 7 1/2 x 10 1/4 inches (19 x 26 cm)
Pages: 96
ISBN: 978-1-944379-21-6
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Visit publication page →Accompanying Lévy Gorvy’s exhibition Calder / Kelly, this catalogue reveals the artists’ friendship and shared pursuit of abstraction. A timeline authored by Veronica Roberts traces the history of their relationship with previously unpublished letters between the artists and members of their shared circle of friends. In addition, Calder biographer Jed Perl examines resonances between the artists in his essay “Apollonian Affinities,” and philosopher Robert Hopkins discusses the similarities and differences in their approaches to abstraction. Newly commissioned poetry by Dan Chiasson, Forrest Gander, and Simon Perchik beautifully responds to works in the exhibition.
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Intimate Infinite
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Visit publication page →This fully-illustrated catalogue accompanies the first exhibition curated by Brett Gorvy for the gallery. Titled Intimate Infinite, the exhibition features nearly one hundred artworks by twenty-seven artists, including Hans Bellmer, Lee Bontecou, Bruce Conner, Joseph Cornell, Jean Dubuffet, Eva Hesse, Jasper Johns, Henri Michaux, Carol Rama, Robert Ryman, Yves Tanguy, Cy Twombly, and Hannah Wilke. Documenting masterpieces that are rarely on public display, the publication offers a unique perspective on viewership and collecting. In its pages, Gorvy explores the practice of looking and the ways in which we, as viewers, connect with the artistic imagination. An essay by Suzanne Hudson examines works by Johns, Ryman, and Twombly, while Sarah K. Rich considers the practice of using hallucinogens to break down boundaries within the self, as was done by such artists as Michaux and Conner. A new translation of an excerpt from Henri Michaux’s 1957 text Infinite Turbulence offers the reader a window into the mind of an artist on mescaline. Miranda Mellis’s work of short fiction “The Emissaries” conjures a dystopian narrative that beautifully responds to works by Bellmer, Conner, Dubuffet, and Rama, and Pablo Neruda’s poem Ode to Things accompanies reproductions of works by Cornell.
Publisher: Lévy Gorvy
Texts: Texts by Suzanne Hudson, Sarah K. Rich, and Henri Michaux. Interview with Brett Gorvy by Rachel Wolff. Experimental fiction by Miranda Mellis. Poetry by Pablo Neruda.
Publication Date: 2018
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Dimensions: 11 1/2 x 9 1/4 inches (29.2 x 23.5 cm)
Pages: 263
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Visit publication page →This fully illustrated volume features the three bodies of work included in Lévy Gorvy’s first exhibition with Dan Colen, Mailorder Mother Purgatory, on view from May 2 to June 12, 2018 in New York. The volume includes a comprehensive essay by Andrianna Campbell that places Colen within the historical tradition of painting, and an interview with Colen and Jeff Koons, moderated and edited by Douglas Fogle.
Publisher: Lévy Gorvy
Texts: Essay by Andrianna Campbell; Interview with Dan Colen and Jeff Koons, moderated and edited by Douglas Fogle
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